Michigan State University
Biography

Dr. Daniel T. Smith Jr. is a dramaturg, translator, director, and theatre historian with research interests in seventeenth- and eighteenth-century French theatre, history of sexuality, and translation studies.After studying French Literature at the University of Notre Dame, Dan earned degrees in Theatre from the University of Massachusetts Amherst (MFA) and Northwestern University (PhD).  Dan has chaired the Theatre History Focus Group of the Association for Theatre in Higher Education (ATHE) and served as Conference Planner and Focus Group Representative for ATHE’s Dramaturgy Focus Group. He has previously taught Theatre Studies courses at the University of Massachusetts Amherst, Northwestern University, University of Illinois at Chicago, and The Theatre School at DePaul University.

Dan has worked extensively as a professional dramaturg, primarily in Chicago. He served as Associate Artistic Director/Resident Dramaturg of Caffeine Theatre from 2010-2012. Highlights with Caffeine include production dramaturgy for The Cocktail Party; Translations; Under Milk Wood; Wreckage; Boojum! Nonsense, Truth and Lewis Carroll and co-producing events including the Aphra Behn Coffeehouse at the Newberry Library and a Steppenwolf: Explore event in conjunction with Enda Walsh’s play Penelope. Dan has also worked with such companies as Steep Theatre, Infamous Commonwealth Theatre, The Hypocrites, Kickshaw Theatre, Halcyon Theatre, Remy Bumppo, Northlight Theatre, and the Goodman Theatre.  His translations for the stage include Don Juan by Moliere; Love in Disguise by Marivaux; A Dangerous Liaison by Madame de Beaunoir; and The Horrible Experiment by André de Lorde. He has co-translated and directed Carlo Gozzi’s The Serpent Lady at MSU. He provided an annotated translation of The Imaginary Invalid by Molière for Constance Congdon’s adaptation (Broadway Play Publishing, 2016) and has done similar dramaturgical translation work for organizations including Disney Theatrical Group (back translation of Le Roi Lion). Dan has published articles, translations, and reviews in such journals as L’Esprit Créateur, Performing Arts Resources, The Mercurian, Theatre Research International, Comparative Drama, Didaskalia, Performing Arts Resources, Theatre/Practice and Theatre Journal. He served as Editor of Theatre/Practice from 2019-2023.

As a member of LMDA‘s Advocacy Committee, Dan collaborated on creating the Dramaturgy Toolkits site and NPX Recommend-a-thon in support of the New Play Exchange. (His NPX profile features translations, adaptations, and original plays.) He spent the Spring 2025 semester in Milledgeville, Georgia as the Martha Daniel Newell Visiting Scholar in Arts and Humanities at Georgia College and State University.

Dan is also a three-time Jeopardy! champion (episodes aired February 2009).

Works

Dramaturg, Murder on the Titanic, an opera by Matias Vestergård and Lea Marie Løppenthin, dir. George Cederquist. North Park University/Windy City Playhouse, 2025.

Dramaturg, Onegin by Amiel Gladston and Veda Hille, dir. Eric Griffis. Georgia College and State University, 2025.

“War, Ukraine, and American Theatre: A Call to Action.” With Dmitry Troyanovsky. Review: The Journal of Dramaturgy 28.1 (2022), pp. 3-6.

“Discipline and Display: Replaying Libertine Sexualities and Rococo Aesthetics in Twenty-First Century Paris.” L’Esprit Créateur 62.2 (Summer 2022), pp. 89-103.

“What Is Essential in Teaching Theatre History? A Revised Theatre Studies Curriculum.” With Ann Folino White. Theatre Topics 31.2 (July 2021), pp. 113-120.

“The Misanthrope by Molière” in Miriam Chirico and Kelly Young, eds. How to Teach a Play: Essential Exercises for Popular Plays. Bloomsbury Press, 2020. pp. 93-95.

“Brecht for Theater Majors: Teaching Epic Theater in a Play Analysis Course.” Brecht Yearbook 41 (Rochester, NY: Camden House, 2017), pp. 63-76.

“60/50 Theatre Project: Collaboration, Citizenship, and the Faculty Dramaturg.” Theatre/Practice Vol. 5 (2016).

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